GALLERY

I use words like 'enslaved' and 'slave' sparingly, when applied to antique photography, because we do not know the circumstances depicted. However, in this example, there's a compelling case for either word to be used.

The ambrotype era is generally considered to be 1854 - 1863. Ambrotypes are positive images on glass and need black backing in order to be seen. The exception is ruby glass ambrotypes, on colored glass, which need no such backing. This is a ruby glass ambrotype of an ambrotype, a period copy.

The mat is stamped: "TROXEL'S PATENT AMBROTYPES" and "LOUISVILLE KY." Although Louisville had a substantial population of free blacks pre-Civil War, it was also a center for the slavery trade. Judging from the young man's demeanor, clothing, posing, etc., it is likely that this falls into the latter category.

Craig's Daguerreian Registry, by John Craig, places Troxel in Pennsylvania in 1854; Louisville, Kentucky in 1855 - 1856; and in St. Louis from 1857 - 1860. This corroborates my own observations that this is an early and primitive ambrotype. Few ambrotypes from 1855 - 1856 exist today.

Note the label inside the case. Collectors and historians appreciate features like this.

SIZE. Sixth plate (3 1/4 x 2 3/4 inches).

HOUSING. Push button case, which is unusual and deeper than most.

CONDITION. Lots of oxidation. A few spots on the periphery.

APPEARANCE. Soft. Some confusion by the young man's foot: He moved it and so the base of the posing stand shows through onto his boot. Exceptional content.